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supported by 14 fans who also own “Talven kirkas taivas”
This was truly a revelation. I was getting started with funeral doom, working on something with my headphones on... Then came Déluge... my jaw actually dropped, I stopped what I was doing and, wide-eyed, just listened to the track, baffled and amazed. After the album was over (I never do this), I went to lay down with my headphones to enjoy it over again. I rarely heard (and felt) this much power and emotion in an album. Until I find something better, this is my landmark for peak funeral doom.
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supported by 12 fans who also own “Talven kirkas taivas”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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supported by 12 fans who also own “Talven kirkas taivas”
This is an extraordinary funeral doom experience with haunting drums and eerie guitars. Mesmur create a sinister atmosphere. And the synths are well placed.
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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Oakland, CA quartet LYCUS return with a new album on Relapse Records. Heavy, epic, mournful, and replete with art by Paolo Girardi.
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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